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In
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Al
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rig
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co
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c
h
a
s
G
u
itar
Her
o
an
d
R
o
ck
B
an
d
s
er
ies
[
1
]
.
Si
n
ce
g
a
m
es
in
th
is
g
e
n
r
e
ca
n
in
cl
u
d
e
p
h
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ical
m
o
v
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m
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t
s
in
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it
is
u
s
ed
to
th
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r
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a
b
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p
u
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p
o
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e
[
2
]
o
r
ea
r
ly
ch
ild
m
o
to
r
s
k
il
l
tr
ain
i
n
g
[
3
]
.
Fu
r
th
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m
o
r
e,
r
h
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t
h
m
g
a
m
e
s
ar
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u
g
g
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ted
to
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elo
p
s
k
ills
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n
h
o
w
to
u
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o
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s
[
4
]
.
A
ls
o
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it
is
r
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ted
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at
g
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m
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o
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k
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ce
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tain
m
u
s
ical
i
n
s
tr
u
m
e
n
t
th
r
o
u
g
h
p
la
y
i
n
g
[
5
,
6
]
.
T
h
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ed
u
ca
tio
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al
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t
o
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th
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s
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o
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b
y
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atic
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w
[
7
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b
u
t
its
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tr
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v
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tial c
r
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ti
v
it
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ar
n
in
g
is
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n
co
u
r
a
g
ed
[
8
,
9
]
.
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n
r
ec
en
t
d
ay
s
,
th
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g
a
m
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p
la
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p
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1
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‘
p
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1
1
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.
Ga
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if
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[
1
1
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1
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b
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Vo
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9
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No
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6
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Dec
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er
2
0
1
9
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2
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w
e
tak
e
t
h
e
p
la
y
ab
ili
t
y
te
s
t
b
y
s
u
r
v
e
y
a
n
d
s
ee
h
o
w
w
ell
t
h
ese
g
a
m
e
s
ar
e
ac
ce
p
ted
to
Ko
r
ea
n
g
a
m
er
s
2.
A
NALY
SI
S O
F
M
O
B
I
L
E
RH
YT
H
M
G
AM
E
S
A
r
h
y
t
h
m
g
a
m
e
is
p
r
i
m
ar
il
y
p
l
a
y
ed
b
y
co
m
p
r
e
h
en
d
i
n
g
th
e
r
h
y
th
m
t
h
e
g
a
m
e
s
e
ts
[
1
2
]
.
T
h
e
p
lay
er
h
as
to
s
m
a
s
h
b
u
tto
n
s
in
a
r
h
y
t
h
m
p
r
o
v
id
ed
b
y
th
e
g
a
m
e.
A
s
p
r
o
g
r
ess
is
m
ad
e,
th
e
g
a
m
e
s
u
c
ce
s
s
i
v
el
y
i
n
cr
ea
s
es
th
e
s
p
ee
d
an
d
co
m
p
le
x
it
y
o
f
th
e
r
h
y
th
m
s
.
S
u
cc
es
s
m
ea
n
s
th
a
t
th
e
p
la
y
er
’
s
ac
tio
n
s
w
er
e
clo
s
e
to
th
e
r
h
y
t
h
m
.
T
h
u
s
,
s
u
cc
ess
ca
n
b
e
m
ea
s
u
r
ed
,
ass
e
s
s
ed
,
an
d
ex
p
r
ess
ed
in
a
s
co
r
e
.
First,
w
e
s
e
lect
to
p
th
r
ee
m
o
b
il
e
r
h
y
th
m
g
a
m
e
s
a
m
o
n
g
Ko
r
ea
n
g
a
m
er
s
w
it
h
a
s
u
r
v
e
y
co
n
d
u
c
ted
d
u
r
in
g
J
u
n
e
2
0
1
7
in
th
e
r
h
y
th
m
g
a
m
e
co
m
m
u
n
ities
.
Am
o
n
g
1
1
2
r
esp
o
n
d
en
ts
,
5
4
%
w
er
e
i
n
th
eir
te
en
s
a
n
d
4
4
%
w
er
e
in
2
0
’
s
o
f
ag
e
a
n
d
6
6
%
w
er
e
m
ales.
S
u
b
j
ec
ts
w
er
e
p
la
y
i
n
g
2
.
3
r
h
y
t
h
m
g
a
m
es
i
n
av
er
ag
e
an
d
Dee
m
o
(
8
6
.
6
%),
C
y
t
u
s
(
6
2
.
5
%),
L
an
o
ta
(
3
3
.
0
%)
ar
e
th
e
m
o
s
t
d
o
m
i
n
an
t
g
a
m
es
i
n
p
la
y
in
g
T
h
u
s
,
o
u
r
an
al
y
s
i
s
is
d
o
n
e
f
o
r
th
o
s
e
th
r
ee
g
a
m
es.
C
o
in
cid
e
n
tall
y
,
all
th
r
ee
g
a
m
es
ar
e
m
ad
e
in
T
ai
w
a
n
.
T
h
er
e
ex
is
t
Ko
r
ea
n
m
o
b
ile
r
h
y
th
m
g
a
m
es
b
u
t
th
e
m
ar
k
et
s
h
ar
e
is
ac
tu
all
y
v
er
y
s
m
a
ll.
Am
o
n
g
m
aj
o
r
g
en
r
e
th
a
t
y
o
u
n
g
Ko
r
ea
n
g
a
m
er
s
ar
e
p
la
y
i
n
g
in
v
e
s
ti
g
ated
in
[
1
8
]
,
r
h
y
th
m
g
a
m
e
p
la
y
er
s
m
o
s
tl
y
e
n
j
o
y
ca
s
u
al
R
P
G
s
u
ch
as
Ma
p
le
s
to
r
y
an
d
Fin
al
Fan
tas
y
s
er
ies
f
r
o
m
t
h
is
p
ilo
t
s
u
r
v
e
y
.
T
h
is
u
s
er
g
r
o
u
p
h
a
s
q
u
ite
d
i
f
f
er
en
t
tr
aits
o
n
g
a
m
e
p
la
y
i
n
g
f
r
o
m
h
o
r
r
o
r
-
s
u
r
v
i
v
al
u
s
er
g
r
o
u
p
[
1
9
]
o
r
First
-
p
er
s
o
n
-
s
h
o
o
tin
g
u
s
er
g
r
o
u
p
[
2
0
]
2
.1
.
User
inte
rf
a
ce
a
nd
no
t
e
co
ntr
o
l
Dee
m
o
iter
f
ac
e
i
s
as
s
h
o
w
n
i
n
Fig
u
r
e
1
.
I
t
is
m
o
s
t
co
m
m
o
n
a
m
o
n
g
r
h
y
t
h
m
g
a
m
es
i
n
th
a
t
t
h
e
n
o
te
is
s
lid
in
g
f
r
o
m
to
p
to
b
o
tto
m
a
n
d
th
e
s
tatic
n
o
n
-
m
o
v
ab
le
ev
a
lu
a
tio
n
li
n
e
is
a
t t
h
e
b
o
tto
m
.
T
h
e
co
n
tr
o
l o
f
t
h
e
n
o
t
e
is
o
n
l
y
s
lid
e
an
d
clic
k
as s
h
o
wn
in
Fig
u
r
e
1
(
a)
.
(
a)
(
b
)
Fig
u
r
e
1
.
Dee
m
o
i
n
ter
f
ac
e
(
a)
No
te c
o
n
tr
o
l
,
(b
)
P
lay
in
g
s
c
e
n
e
C
y
t
u
s
i
n
ter
f
ac
e
is
a
s
s
h
o
w
n
i
n
Fi
g
u
r
e
2
.
I
t
h
a
s
m
o
v
i
n
g
ev
a
lu
at
io
n
li
n
e
t
h
u
s
t
h
e
g
a
m
er
n
e
ed
s
m
o
r
e
atten
tio
n
in
p
la
y
i
n
g
as
s
h
o
w
n
i
n
Fig
u
r
e
2
(
b
)
.
C
y
tu
s
ad
d
s
“
h
o
l
d
”
co
n
tr
o
l
s
o
th
at
th
e
u
s
er
ca
n
ef
f
icien
tl
y
r
esp
o
n
s
e
to
th
e
m
o
v
i
n
g
ev
al
u
atio
n
lin
e
.
Fig
u
r
e
2
(
a)
s
h
o
w
s
clic
k
,
d
r
ag
,
an
d
h
o
ld
in
t
h
e
clo
ck
w
i
s
e
o
r
d
er
f
r
o
m
u
p
p
er
lef
t sid
e.
Fig
u
r
e
3
s
h
o
w
s
th
e
L
an
o
ta
i
n
ter
f
ac
e.
L
a
n
o
ta
h
as
m
o
r
e
n
o
te
co
n
tr
o
l
an
d
r
o
tati
n
g
ev
a
l
u
s
tio
n
d
is
k
(
n
o
t a
li
n
e)
.
T
h
e
n
o
t
e
co
n
tr
o
l i
s
d
ev
id
ed
i
n
to
clic
k
,
f
l
ick
th
a
t
n
ee
d
s
co
n
tr
o
l to
a
ce
r
tain
d
ir
e
ctio
n
o
f
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o
te
s
h
ap
e
,
r
ail
(
s
lid
in
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)
,
an
d
ca
tch
(
a.
k
.
a.
s
lid
e)
as
s
h
o
w
n
i
n
Fig
u
r
e
3
in
clo
ck
w
i
s
e
o
r
d
er
f
r
o
m
u
p
p
er
lef
t
s
id
e.
Su
c
h
d
if
f
er
en
ce
s
o
f
u
s
er
i
n
ter
f
ac
e
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d
n
o
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c
o
n
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m
a
k
e
d
if
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er
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t
t
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e
o
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b
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av
io
u
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d
d
if
f
er
e
n
t
lev
e
l
o
f
di
f
f
ic
u
lt
y
d
esi
g
n
.
T
ab
le
1
s
u
m
m
ar
izes t
h
e
d
if
f
er
en
ce
o
f
p
la
y
in
g
s
t
y
le
a
m
o
n
g
t
h
o
s
e
t
h
r
ee
g
a
m
es.
Evaluation Warning : The document was created with Spire.PDF for Python.
I
n
t J
E
lec
&
C
o
m
p
E
n
g
I
SS
N:
2
0
8
8
-
8708
A
n
a
lysi
s
a
n
d
ev
a
lu
a
tio
n
o
f m
o
b
ile
r
h
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m
g
a
mes
:
g
a
me
s
tr
u
ctu
r
e
a
n
d
p
l
a
ya
b
ilit
y
(
Do
o
He
o
n
S
o
n
g
)
5265
(
a)
(
b
)
F
ig
u
re
2
.
Cy
tu
s i
n
terf
a
c
e
(
a)
No
t
e
c
o
n
tro
l
,
(
b
)
P
lay
in
g
s
c
e
n
e
F
ig
u
re
3
.
L
a
n
o
ta
i
n
terf
a
c
e
Evaluation Warning : The document was created with Spire.PDF for Python.
I
SS
N
:
2
0
8
8
-
8708
I
n
t J
E
lec
&
C
o
m
p
E
n
g
,
Vo
l.
9
,
No
.
6
,
Dec
em
b
er
2
0
1
9
:
5
2
6
3
-
5
2
6
9
5266
T
a
b
le 1
.
G
a
m
e
fe
a
tu
re
s o
f
m
o
b
il
e
rh
y
th
m
g
a
m
e
s
G
a
me
/
F
e
a
t
u
r
e
D
e
e
m
o
C
y
t
u
s
L
a
n
o
t
a
L
e
v
e
l
o
f
D
i
f
f
i
c
u
l
t
y
S
e
t
b
e
f
o
r
e
sel
e
c
t
i
n
g
mu
s
i
c
S
e
t
b
e
f
o
r
e
sel
e
c
t
i
n
g
mu
s
i
c
S
e
t
a
f
t
e
r
se
l
e
c
t
i
n
g
m
u
si
c
N
o
t
e
S
p
e
e
d
O
p
t
i
o
n
C
a
n
I
n
i
t
i
a
l
i
z
e
N
o
n
e
(
S
t
a
t
i
c
)
C
a
n
I
n
i
t
i
a
l
i
z
e
M
a
p
Y
e
s
No
Y
e
s
D
i
f
f
e
r
e
n
t
C
h
a
p
t
e
r
Y
e
s
Y
e
s
Y
e
s
R
a
n
k
i
n
g
No
No
No
2
.
2
.
L
ev
el
o
f
diff
iculty
T
h
e
lev
el
o
f
d
if
f
icu
l
t
y
i
n
r
h
y
t
h
m
g
a
m
es
te
n
d
s
to
b
e
p
r
o
p
o
r
ti
o
n
al
to
th
e
n
u
m
b
er
o
f
n
o
te
s
in
th
e
m
u
s
ic
b
u
t
n
o
t
ab
s
o
lu
tel
y
.
R
h
y
th
m
g
a
m
es
h
av
e
m
o
r
e
d
iv
er
s
e
co
n
tr
o
l
in
ar
ca
d
e
p
latf
o
r
m
th
a
n
in
t
h
e
m
o
b
ile
p
latf
o
r
m
.
Un
d
er
m
o
b
ile
p
latf
o
r
m
,
th
e
u
s
er
in
ter
f
ac
e
is
q
u
ite
co
n
s
tr
ain
ed
th
u
s
m
u
ch
les
s
th
i
n
g
s
ar
e
to
b
e
c
o
n
tr
o
lled
.
As
a
r
es
u
lt,
t
h
e
le
v
el
o
f
d
i
f
f
ic
u
lt
y
i
n
m
o
b
ile
p
latf
o
r
m
is
lo
w
er
t
h
a
n
t
h
at
o
f
ar
ca
d
e
r
h
y
th
m
g
a
m
es.
S
till
,
t
h
r
ee
tar
g
et
m
o
b
ile
r
h
y
th
m
g
a
m
e
s
h
av
e
d
if
f
er
en
t m
o
d
es
a
n
d
lev
els
o
f
d
if
f
ic
u
lt
y
.
T
h
er
e
ex
is
ts
a
q
u
an
titati
v
e
te
n
d
en
c
y
o
f
th
e
n
u
m
b
e
r
o
f
n
o
tes p
er
m
u
s
ic
in
p
la
y
w
it
h
r
esp
ec
t to
th
e
l
ev
els o
f
d
i
f
f
icu
lt
y
a
s
s
h
o
w
n
i
n
T
a
b
le
2
.
T
ab
le
2
.
L
ev
el
o
f
d
if
f
ic
u
lt
y
as
f
u
n
ctio
n
o
f
n
o
te
s
p
er
m
u
s
ic
G
a
me
D
i
f
f
i
c
u
l
t
y
L
e
v
e
l
s
M
o
d
e
1
2
3
4
D
e
e
m
o
2
7
8
.
6
5
2
7
.
0
7
5
7
.
8
1
2
3
C
y
t
u
s
5
2
8
.
3
7
2
7
.
0
9
2
L
a
n
o
t
a
3
1
0
.
2
4
7
3
.
9
6
4
6
.
4
8
5
8
.
5
1
5
4
Dee
m
o
h
as
t
h
r
ee
m
o
d
es
(
ea
s
y
,
n
o
r
m
al,
an
d
h
ar
d
)
w
it
h
1
2
d
if
f
er
en
t
lev
el
s
o
f
d
if
f
icu
lt
y
.
C
y
t
u
s
h
as
o
n
l
y
ea
s
y
a
n
d
h
ar
d
m
o
d
e
w
it
h
to
tal
9
lev
els.
L
a
n
o
ta
h
a
s
f
o
u
r
m
o
d
es
–
w
h
i
s
p
er
,
ac
o
u
s
tic,
u
lr
ea
,
an
d
m
aster
–
w
it
h
to
tal
1
5
lev
els.
As
n
o
ted
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lier
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m
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er
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f
n
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tes
p
er
m
u
s
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n
o
t
th
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ab
s
o
lu
te
f
ac
to
r
to
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ec
id
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th
e
p
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ce
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if
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ic
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lt
y
.
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h
e
m
i
x
tu
r
e
o
f
d
if
f
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t n
o
te
s
,
ev
alu
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m
eth
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d
(
s
tatic/
m
o
v
i
n
g
lin
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is
k
)
,
an
d
n
o
te
co
n
tr
o
l a
ctio
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s
all
co
n
tr
ib
u
te
t
o
f
o
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m
th
e
le
v
el
o
f
p
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ce
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if
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ic
u
lt
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.
3.
P
L
AYAB
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L
I
T
Y
E
V
AL
U
AT
I
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N
B
Y
SURVE
Y
E
v
alu
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tio
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w
it
h
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ad
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l ‘
u
s
ab
ilit
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’
h
e
u
r
is
t
ics
,
t
h
at
is
a
n
e
x
p
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b
ased
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s
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ilit
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n
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p
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th
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d
s
f
o
r
s
o
f
t
w
ar
e
d
e
v
elo
p
m
e
n
t
[
2
1
],
ca
n
n
o
t
b
e
d
ir
ec
tl
y
ap
p
lied
to
th
e
ev
a
lu
at
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n
o
f
v
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a
m
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s
b
ec
au
s
e
ap
p
licatio
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s
o
f
t
w
ar
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a
n
d
v
id
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g
a
m
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ar
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v
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if
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er
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t
i
n
co
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te
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t
a
n
d
u
s
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e
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r
is
tic
s
d
o
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o
t
co
v
er
all
asp
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t
s
o
f
g
a
m
in
g
s
u
c
h
as f
u
n
,
en
ter
tai
n
m
en
t,
an
d
en
j
o
y
m
e
n
t
[
1
4
]
.
T
h
e
s
e
m
in
a
l
w
o
r
k
d
o
n
e
b
y
K
o
r
h
o
n
en
a
n
d
h
is
g
r
o
u
p
[
1
1
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p
r
o
p
o
s
ed
2
9
h
eu
r
is
tics
d
i
v
id
ed
in
to
th
r
ee
ca
teg
o
r
ize
as f
o
llo
w
s
: ‘
Ga
m
e
-
Usab
ilit
y
’
,
‘
Ga
m
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Mo
b
ilit
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’
a
n
d
‘
Ga
m
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P
la
y
’
[
1
4
]
.
Ho
w
e
v
e
r
,
th
eir
h
eu
r
i
s
tic
s
is
d
esig
n
ed
f
o
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g
a
m
es
p
la
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g
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m
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ile
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m
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u
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t
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o
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e
n
er
al
to
b
e
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p
lied
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ec
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r
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m
p
le,
p
eo
p
le
d
ev
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t
h
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w
n
s
et
o
f
h
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u
r
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tic
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f
o
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m
a
n
ag
e
m
e
n
t
s
i
m
u
latio
n
g
e
n
r
e
[
2
2
]
an
d
ca
s
u
al
m
o
b
ile
g
a
m
e
s
[
2
3
]
f
o
r
u
s
ab
ilit
y
te
s
t.
Fo
r
an
ef
f
o
r
t to
test
th
e
p
la
y
ab
ilit
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o
f
r
h
y
th
m
g
a
m
es,
C
h
e
n
&
L
o
’
s
w
o
r
k
[
1
5
]
d
ef
in
es t
h
eir
o
w
n
s
et
o
f
h
eu
r
i
s
tics
th
a
t
ar
e
d
iv
id
ed
i
n
t
o
an
o
th
er
t
h
r
ee
ca
te
g
o
r
ies
–
f
u
n
ct
io
n
al,
s
tr
u
ct
u
r
al,
a
n
d
au
d
io
v
is
u
al
–
w
it
h
1
4
h
eu
r
i
s
tics
.
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h
eir
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al
y
s
is
s
h
o
w
ed
th
at
m
u
s
ic
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h
y
t
h
m
g
a
m
e
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ter
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ac
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esig
n
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clu
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le
v
el
in
f
o
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m
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d
v
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al
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esi
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n
r
ep
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ti
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g
m
u
s
ical
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ea
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n
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th
at
s
h
o
u
ld
b
e
in
clu
d
ed
in
t
h
e
h
eu
r
i
s
tics
.
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h
u
s
,
in
th
is
p
ap
er
,
w
e
w
ill
u
s
e
C
h
e
n
&
L
o
’
s
h
eu
r
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s
tic
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a
s
tan
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ar
d
s
et
b
u
t
w
e
f
in
d
t
h
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y
o
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o
u
r
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u
b
j
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ts
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tu
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wer
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co
n
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u
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ed
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t
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o
r
ig
in
a
l
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et
o
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e
u
r
is
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s
.
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h
u
s
,
w
e
eli
m
i
n
ate
4
q
u
esti
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s
f
r
o
m
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et
o
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r
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h
o
w
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i
n
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ter
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b
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.
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4.
CO
NCLU
SI
O
N
Mo
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m
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v
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if
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a
m
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s
an
d
C
h
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n
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Flee
t
Mo
e
g
a
m
er
s
[
2
4
].
A
lt
h
o
u
g
h
t
h
e
g
a
m
e
h
a
s
it
s
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th
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s
to
r
y
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n
o
t
th
e
m
ai
n
r
ea
s
o
n
to
p
la
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.
T
o
u
ch
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n
g
th
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s
lid
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te
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th
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m
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n
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ti
v
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th
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g
a
m
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m
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m
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d
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ter
f
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n
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lin
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g
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d
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g
a
m
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o
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s
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Heu
r
is
tic
ev
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f
p
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ab
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b
ased
o
n
p
r
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u
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r
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ch
[
1
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p
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ev
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d
q
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ter
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.
RE
F
E
R
E
NC
E
S
[1
]
M
il
ler
K.
,
“
S
c
h
izo
p
h
o
n
ic
p
e
rf
o
r
m
a
n
c
e
:
G
u
it
a
r
h
e
ro
,
ro
c
k
b
a
n
d
,
a
n
d
v
irt
u
a
l
v
irt
u
o
sity
,”
J
o
u
rn
a
l
o
f
th
e
S
o
c
iety
fo
r
Ame
ric
a
n
M
u
sic
,
3
(4
),
3
9
5
-
4
2
9
,
2
0
0
9
.
[2
]
Yu
a
n
B,
F
o
lm
e
r
E.
,
“
Bl
i
n
d
h
e
r
o
:
e
n
a
b
l
in
g
g
u
it
a
r
h
e
ro
fo
r
th
e
v
isu
a
ll
y
im
p
a
ire
d
,
”
In
P
ro
c
e
e
d
i
n
g
s
o
f
th
e
1
0
t
h
in
tern
a
ti
o
n
a
l
A
CM
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ACCES
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c
o
n
f
e
re
n
c
e
o
n
Co
m
p
u
ters
a
n
d
a
c
c
e
ss
ib
il
it
y
,
A
CM
,
2
0
0
8
,
1
6
9
-
1
7
6
.
[3
]
U
m
a
n
sk
i
D,
Ko
g
o
v
še
k
D,
Oz
b
ič
M
,
S
c
h
i
ll
e
r
NO
,
“
De
v
e
lo
p
me
n
t
o
f
a
v
o
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-
b
a
se
d
rh
y
t
h
m
g
a
me
fo
r
t
ra
in
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s
p
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c
h
mo
to
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sk
il
ls
o
f
c
h
il
d
re
n
wit
h
sp
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c
h
d
is
o
rd
e
rs
,
”
In
P
r
o
c
e
e
d
in
g
s
8
th
In
tern
a
ti
o
n
a
l
C
o
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f
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n
c
e
Disa
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,
V
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l
Re
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d
A
ss
o
c
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d
T
e
c
h
n
o
lo
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ies
,
255
-
2
6
2
,
2
0
1
0
.
[4
]
P
a
rk
S
I,
Kih
l
T
S
,
“
Rh
y
th
m
g
a
m
e
d
e
sig
n
f
o
r
e
ff
e
c
ti
v
e
m
u
sic
e
d
u
c
a
ti
o
n
,
”
J
o
u
rn
a
l
o
f
K
o
re
a
Ga
me
S
o
c
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,
1
2
(
1
),
33
-
42
,
2
0
1
2
.
[5
]
P
a
sin
sk
i
A
C,
Ha
n
n
o
n
EE
,
S
n
y
d
e
r
JS,
“
Ho
w
m
u
sic
a
l
a
re
m
u
sic
v
id
e
o
g
a
m
e
p
la
y
e
rs?
,
”
P
sy
c
h
o
n
o
m
ic
b
u
l
letin
&
re
v
iew
,
2
3
(
5
),
1
5
5
3
-
8
,
2
0
1
6
.
[6
]
No
u
w
e
n
M
,
S
c
h
e
p
e
r
s
S
,
M
o
u
w
s
K,
S
leg
e
rs
K,
K
o
ste
n
N,
D
u
y
sb
u
rg
h
P
,
“
De
sig
n
in
g
a
n
e
d
u
c
a
ti
o
n
a
l
m
u
sic
g
a
m
e
:
W
h
a
t
if
c
h
il
d
re
n
w
e
re
c
a
ll
in
g
th
e
tu
n
e
?
,”
In
ter
n
a
ti
o
n
a
l
jo
u
rn
a
l
o
f
c
h
il
d
-
c
o
mp
u
ter
i
n
ter
a
c
ti
o
n
,
1
(
9
),
20
-
32
,
2
0
1
6
.
[7
]
Bé
g
e
l
V
,
Di
L
o
re
to
I
,
S
e
il
les
A
,
Da
ll
a
Be
ll
a
S
,
“
M
u
sic
g
a
m
e
s:
p
o
t
e
n
ti
a
l
a
p
p
li
c
a
ti
o
n
a
n
d
c
o
n
si
d
e
ra
ti
o
n
s
f
o
r
rh
y
th
m
ic
train
in
g
,
F
ro
n
ti
e
rs i
n
h
u
m
a
n
n
e
u
ro
sc
ien
c
e
,
”
1
1
(
o
n
li
n
e
)
,
2
0
1
7
.
[8
]
Ro
e
sn
e
r
D,
P
a
isley
A
,
Ca
ss
id
y
G
,
“
G
u
it
a
r
He
ro
e
s in
M
u
sic
Ed
u
c
a
ti
o
n
?
:
M
u
sic
g
a
m
e
s a
n
d
t
h
e
ir
p
o
ten
ti
a
l
f
o
r
m
u
sic
a
l
a
n
d
p
e
rf
o
rm
a
ti
v
e
c
re
a
ti
v
it
y
,
In
M
u
sic
V
i
d
e
o
G
a
m
e
s:
P
e
rf
o
r
m
a
n
c
e
,
P
o
li
ti
c
s,
a
n
d
P
lay
,
A
u
stin
,
M
.
Ed
it
o
r,
Bl
o
o
m
sb
u
ry
P
u
b
l
ish
i
n
g
USA
,”
197
-
2
2
8
,
2
0
1
6
.
[9
]
Je
n
so
n
J,
De
Ca
ste
ll
S
,
M
u
e
h
re
r
R,
Dro
u
m
e
v
a
M
,
“
S
o
y
o
u
th
in
k
y
o
u
c
a
n
p
lay
:
A
n
e
x
p
lo
ra
to
ry
stu
d
y
o
f
m
u
sic
v
id
e
o
g
a
m
e
s
,”
J
o
u
rn
a
l
o
f
M
u
sic
,
T
e
c
h
n
o
lo
g
y
&
Ed
u
c
a
ti
o
n
,
9
(
3
),
2
7
3
-
2
8
8
,
2
0
1
6
.
[1
0
]
Ji
Z,
Hu
a
n
g
W
H,
Zh
a
n
g
X
,
“
De
sig
n
a
n
d
im
p
lem
e
n
tatio
n
o
f
a
g
a
m
e
in
te
rf
a
c
e
in
tera
c
ti
o
n
o
n
sm
a
rtp
h
o
n
e
,
”
J
o
u
rn
a
l
o
f
In
telli
g
e
n
t
&
Fu
zz
y
S
y
ste
m
s
,
3
4
(2
),
2
0
1
8
:9
2
3
-
9
3
1
.
[1
1
]
Ko
rh
o
n
e
n
H,
K
o
iv
isto
E
.
“
Pl
a
y
a
b
il
it
y
h
e
u
ristics
f
o
r
mo
b
il
e
g
a
me
s,”
In
P
r
o
c
e
e
d
in
g
s
o
f
th
e
8
t
h
c
o
n
f
e
re
n
c
e
o
n
Hu
m
a
n
-
c
o
m
p
u
ter i
n
tera
c
ti
o
n
w
it
h
m
o
b
il
e
d
e
v
ice
s a
n
d
se
rv
ice
s,
A
CM
,
9
-
16
,
2
0
0
6
.
[1
2
]
P
ic
h
lm
a
ir
M
,
Ka
y
a
li
F
,
“
L
e
v
e
ls
o
f
S
o
u
n
d
:
On
t
h
e
Prin
c
ip
les
o
f
I
n
ter
a
c
ti
v
it
y
in
M
u
sic
Vi
d
e
o
Ga
m
e
s
,
”
In
Di
G
R
A
Co
n
f
e
re
n
c
e
2
0
0
7
.
[1
3
]
P
a
a
v
il
a
in
e
n
J.
,
“
Criti
c
a
l
re
v
iew
o
n
v
id
e
o
g
a
me
e
v
a
lu
a
ti
o
n
h
e
u
risti
c
s:
so
c
ia
l
g
a
me
s
p
e
rs
p
e
c
ti
v
e
,
”
In
P
ro
c
e
e
d
in
g
s
o
f
th
e
In
ter
n
a
ti
o
n
a
l
A
c
a
d
e
m
ic Co
n
f
e
re
n
c
e
o
n
t
h
e
F
u
tu
re
o
f
Ga
m
e
De
sig
n
a
n
d
T
e
c
h
n
o
l
o
g
y
,
A
CM
,
56
-
6
5
,
M
a
y
,
2010.
[1
4
]
S
o
o
m
ro
S
,
A
h
m
a
d
W
F
,
S
u
laim
a
n
S
.
,
“
Ev
a
lu
a
ti
o
n
o
f
m
o
b
il
e
g
a
m
e
s
u
sin
g
p
lay
a
b
il
it
y
h
e
u
risti
c
s
”
In
In
ter
n
a
ti
o
n
a
l
V
isu
a
l
I
n
f
o
rm
a
ti
c
s Co
n
f
e
r
e
n
c
e
,
264
-
2
7
4
,
No
v
2
0
1
3
.
[1
5
]
Ch
e
n
,
CH.,
L
o
,
CS
,
“
T
h
e
d
e
v
e
lo
p
m
e
n
t
o
f
a
m
u
sic
rh
y
th
m
g
a
m
e
w
it
h
a
h
ig
h
e
r
lev
e
l
o
f
p
la
y
a
b
il
it
y
,
”
In
A
d
v
a
n
c
e
d
M
a
ter
ia
ls f
o
r
S
c
ien
c
e
a
n
d
E
n
g
in
e
e
rin
g
(
ICAM
S
E)
,
”
In
tern
a
ti
o
n
a
l
C
o
n
f
e
re
n
c
e
o
n
,
IE
EE
,
1
3
2
-
5
,
2
0
1
6
.
[1
6
]
Hs
u
F
C.
“
Us
e
r
S
a
ti
sfa
c
ti
o
n
a
n
d
S
y
ste
m
En
v
iro
n
m
e
n
t
Co
n
v
e
n
ien
c
e
f
o
r
In
terf
a
c
e
De
sig
n
o
f
M
o
b
il
e
Ga
m
e
s
,”
E
k
o
lo
ji
,
2
7
(
1
0
6
),
1
2
1
1
-
1
2
1
5
,
2
0
1
8
.
[1
7
]
Ch
e
n
YC,
L
i
S
R.
“
Co
g
n
it
i
o
n
d
if
f
e
re
n
c
e
b
e
tw
e
e
n
p
lay
e
rs
o
f
d
i
ff
e
re
n
t
in
v
o
lv
e
m
e
n
t
to
w
a
rd
th
e
c
o
n
c
re
te
d
e
sig
n
f
e
a
tu
re
s
in
m
u
sic
g
a
m
e
s,”
P
l
o
S
o
n
e
,
1
4
(
5
)
,
(o
n
li
n
e
)e
0
2
1
6
2
7
6
,
2
0
1
9
.
[1
8
]
S
o
n
g
DH
,
P
a
rk
S
,
Ya
n
g
S
W
,
Ya
n
g
Y,
W
o
n
K.
G
e
n
d
e
r
Diffe
re
n
c
e
s
a
n
d
G
e
n
d
e
r
S
tere
o
ty
p
e
in
P
lay
S
t
y
l
e
a
m
o
n
g
Yo
u
n
g
Ko
re
a
n
G
a
m
e
rs.
J
o
u
rn
a
l
o
f
th
e
K
o
re
a
In
stit
u
te
o
f
I
n
f
o
rm
a
ti
o
n
a
n
d
Co
mm
u
n
ica
ti
o
n
E
n
g
i
n
e
e
rin
g
,
2
1
(
1
):
7
2
-
8
1
,
2
0
1
7
.
[1
9
]
S
o
n
g
DH
e
t
a
l.
F
ro
m
Ag
a
s
a
Cris
ti
e
to
g
ro
u
p
im
a
g
e
p
la
y
-
A
n
a
l
y
sis
o
f
h
o
rro
r
su
rv
iv
a
l
g
a
m
e
p
a
n
ic
r
o
o
m
:
Esc
a
p
in
g
f
ro
m
th
e
d
e
n
o
n
e
m
o
ti
o
n
a
l
e
lem
e
n
ts
d
e
v
e
lo
p
m
e
n
t.
I
n
ter
n
a
ti
o
n
a
l
J
o
u
rn
a
l
o
f
El
e
c
trica
l
a
n
d
C
o
mp
u
t
e
r
En
g
i
n
e
e
rin
g
,
8
1
(
2
):6
4
4
-
6
5
0
,
2
0
1
8
.
[2
0
]
S
o
n
g
DH
e
t
a
l
.
Co
m
p
a
ra
ti
v
e
a
n
a
ly
sis
o
f
f
irst
p
e
r
so
n
sh
o
o
ter
g
a
m
e
s
o
n
g
a
m
e
m
o
d
e
s
a
n
d
w
e
a
p
o
n
s
-
m
il
it
a
r
y
-
th
e
m
e
d
,
o
v
e
rwa
tch
,
a
n
d
p
lay
e
r
u
n
k
n
o
w
n
s’
b
a
tt
leg
ro
u
n
d
.
In
d
o
n
e
sia
n
J
o
u
r
n
a
l
o
f
El
e
c
trica
l
En
g
i
n
e
e
rin
g
a
n
d
C
o
mp
u
ter
S
c
ien
c
e
,
1
3
(
1
):1
1
6
-
1
2
2
,
2
0
1
9
.
[2
1
]
Nie
lse
n
J,
M
a
c
k
RL
.
Us
a
b
il
it
y
In
s
p
e
c
ti
o
n
M
e
th
o
d
s
,
Ne
w
Yo
rk
.
Jo
h
n
W
il
e
y
&
S
o
n
s,
1
9
9
4
.
[2
2
]
Oh
YB,
Kim
W
K,
“
A
S
tu
d
y
o
n
M
o
b
il
e
G
a
m
e
UI
De
sig
n
El
e
m
e
n
t
Co
n
si
d
e
rin
g
Us
e
r
Ex
p
e
rien
c
e
-
F
o
c
u
se
d
o
n
M
a
n
a
g
e
m
e
n
t
S
im
u
latio
n
G
a
m
e
,
”
J
o
u
rn
a
l
o
f
Ko
re
a
n
S
o
c
iety
o
f
De
sig
n
a
n
d
Cu
lt
u
re
,
2
3
(
2
);
4
1
3
-
4
2
8
,
2
0
1
7
.
[2
3
]
Zh
a
o
L
,
Kim
HH
.
“
Re
se
a
rc
h
o
n
u
sa
b
il
it
y
o
f
m
o
b
il
e
c
a
su
a
l
g
a
m
e
i
n
terf
a
c
e
-
F
o
c
u
sin
g
o
n
t
o
p
th
re
e
c
a
su
a
l
g
a
m
e
in
Ko
re
a
n
G
o
o
g
le p
lay
,
”
J
o
u
rn
a
l
o
f
Dig
it
a
l
De
sig
n
,
1
3
(4
);
3
6
1
-
3
7
1
,
2
0
1
3
.
[2
4
]
S
o
n
g
,
DH
.
“
A
n
a
ly
sis
o
f
Ko
re
a
n
G
a
m
e
rs
'
P
re
f
e
re
n
c
e
s
o
n
Ch
i
n
e
se
M
o
b
i
le
G
a
m
e
s,
”
J
o
u
rn
a
l
o
f
t
h
e
K
o
re
a
I
n
stit
u
te
o
f
In
fo
rm
a
t
io
n
a
n
d
Co
mm
u
n
ica
ti
o
n
En
g
i
n
e
e
rin
g
,
2
2
(7
)
,
9
3
5
-
9
4
2
,
2
0
1
8
.
Evaluation Warning : The document was created with Spire.PDF for Python.
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5269
B
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